About Me

I like to think that we aren't building a company but rather a family. A family of real artists, who have a passion and love for what they do. A family of entrepreneurs who genuinely care about the artists who come through and want to provide them with the avenues that may not have been there for them without our help. Poetic Groove Productions was started by me, Michelle Mondesir, a bit out of frustration and otherwise out of wanting to further mine and other urban soul artists careers. In 2010, we put on an event we call, "So Full" at The Central downtown Toronto every other month to showcase artists in the urban categories where support seemed to be most lacking. The categories we most focused on were, Soul, Neo-soul, Conscious Hip Hop, Spoken Word. We skipped out on the event for 2011 but we look forward to it's continuation in 2012! We are happy to provide you with all of your music production needs, including commercial, artist (indie or not), and film. Feel free to contact us by Phone 770-708-7886 OR Email info@poeticgrooveproductions.com

Tuesday, February 8, 2011

Top 5 Music Business Mistakes of 2010 (#2)

#2 – Unreasonable Expectations

Roughly twice per day I get an email from a musician who tells me that he or she “just wants to get to the next level.”
In my head my first response is usually “Oh that’s easy just press Up Up Down Down Left Right Left Right A B Select Start.”  (This got you many extra lives on the game Contra for Nintendo)  For better or for worse – there is no special code for the elusive “next level” in the music business.
This kind of message is always a bit disheartening as I am pretty sure that when I ask people who send me these messages to clarify their needs they either will not have defined it for themselves or they have just started out promoting their businesses in the last 2-3 months and they want Jay-Z’s phone number (Which I don’t have by the way).
Yes, that is absolutely an extreme example and no- I’m not suggesting that everyone out there has such a warped perspective but I do find that people unfairly compare themselves to people who have become icons.  If you look around long enough you will find that most overnight successes were not so overnight.
I was fortunate enough to work with Kid Rock in the 90s and most people remember when he arrived with his first big single “Bawitdaba”.  What most people forget (or never knew) is that ten years earlier he was signed and subsequently dropped from Jive Records, signed an indie label deal (with a label that went out of business), put out two records on his own (before such things were as turn-key as they are now) and built up a network of over 50 very active street team members all over the U.S..  Prior to “Bawitdaba” was also a single called “I am the Bull God” that only mid charted at radio and there were moments where one could feel that the culture of Atlantic Records could have gone either way in supporting (or not supporting) his career.  There is an obvious lesson in such perseverance and I know many people who would have given up over any one of those setbacks let alone the whole string of them.
Perhaps Kid Rock is another example that is too large or too exceptional.
How about this?
The majority of people I encounter don’t appreciate that it takes a long time (often many years) to get anyone to care about you or your music.  Most people need the time to get better at what they do.  It takes a ton of mistakes and gigs where you say to the crowd  “Be sure and tip your bartend…Oh…. You are the Bartenders and waitresses…” I don’t think people appreciate that those kind of gigs are the formative gigs where musicians get better at what they do.
I keep hearing the implication that the Internet was supposed to usher in this era where anyone and everyone could make a living at music.  Really?  So everyone is a rock star?  That means there is no one in the audience because everyone is on the stage.  That would all of a sudden makes my accountant a rock star…  God forbid!
This is what I’ve learned about expectations being around the business of music for the last eighteen years – I hope it takes you less time to learn these things than it took me:
1)   The artists who seemed to make a living / become well known were simply the artists who were still artists ten years later
2)   You can look around and compare and despair almost no matter who you are.  I wonder if Chris Martin from Coldplay laments that he isn’t Bono or if Bono laments that he isn’t Elvis…
3)   The awful saying “It’s a marathon – not a sprint” really does apply.  Far too often I see people blowing their budgets and wrecking their credit on high cost / short term promotional strategies over the course of weeks when better investments would be strategies that endure.
4)   People who don’t invest in their careers (with both their money and time) don’t grow their careers.
5)   Those who were consistent in their efforts tended to fare better than those who were sporadic.

Posted By Musician Coaching on December 30th, 2010
www.musiciancoaching.com

Tuesday, February 1, 2011

Top 5 Music Business Mistakes of 2010 (#1)

What are the top 5 Music Business Mistakes that artists in business for themselves make? This is a great question. I came across this blog and found this article helpful.

Mistake #1

Waiting
Sounds innocuous enough, right?
We should be good at waiting given all of the waiting that goes on with the craft of music.
Waiting on our fellow notoriously late collaborators, waiting on getting things tracked right in the studio, waiting to load in, waiting on sound check. There are a million things that we have to hurry up and wait for before we even get to the business side of things. This is of course not the waiting I am talking about though.
The biggest mistake I have seen in the past year (although admittedly it is certainly not unique to 2010) is that people wait on outside help to starting their businesses. Anyone who has tried to raise money can tell you that it is easier to raise money when you have momentum with a project then when you only have a blueprint and some high hopes. This is in no way saying that I think people do everything themselves. DIY in my opinion is a condition of last resort but a condition that almost all of us are stuck with at some point or another.
Keep this in mind – when you are someone looking for outside help from someone like a potential manager or an agent you have to remember that you are asking someone for their time. Given that time = money – you are in fact asking someone to invest in you and your company. When you are preparing to approach someone for help of this kind ask yourself “What would make me invest in an artist’s career?” When I ask myself this question I almost always come up with wanting to see that my time and money would be going into a business is already showing signs of life. I would want to see that in spite of or in addition to what my eyes and ears tell me that real consumers are responding to this musician’s material. Generally speaking those artists who have a spark and have a fledgling business are people who didn’t wait on outside help to get those businesses going.
I will let you in on a little insider secret – since the un-bundling of the album EVERYONE is making this shit up as they go along. There is no hard science to the initial stages of breaking new artists – it is a series of best guesses. Since no one is ever going to care about your career more than you do (at least I hope not) you may as well give it a try for yourself. Even if you fail you will no more about the job and be better qualified to find the right person who compliments your strengths and weaknesses.
There will, of course, be times when you are forced to wait for circumstances to change. It happens to all of us no matter what business we are in but I urge you to find ways of making these periods productive. No matter what major event in your career is looming large – get out and play, meet people and record as much as possible and remember – there is never going to be a perfect time to start that next phase of your career. Something will always be in your way if you let it.

Posted By Musician Coaching on December 30th, 2010
www.musiciancoaching.com